Thursday, February 2, 2012

Agneepath (2012) Movie Review – Details



Posted by Goher Iqbal Punn on January 26, 2012 in Movies · 39 Comments
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Movie Title – Agneepath

Film Critic: Goher Iqbal Punn

Star Cast – Hrithik Roshan, Sanjay Dutt, Priyanka Chopra, Rishi Kapoor

Director – Karan Malhotra

Producer – Karan Johar

Music Director – Ajay Gogavale, Atul Gogavale

Lyrics – Amitabh Bhattacharya

Genre – Action Drama

Rating:



Remakes of the brand movies, though the trend has been dolled up since the outset, has now turned a formulaic fashion in the Hindi film industry. And it is often witnessed that the majority of the remakes of the classics and the blockbusters have turned successful at the box office. Nonetheless there are notions which go against the remakes. The question is … if the remakes do well and get popular among the audiences and most importantly if they try to be different or slightly different injecting the dose of contemporary elements, then there is no harm at all to churn out them for the entertainment of the movie lovers who always seek something catchy and worthwhile to watch.

Often the stars, who are roped into the remakes, are found saying that there is no comparison with the original character. Well, to some extent or as far as their acting is concerned, their claim seems to be okay. But the fact remains that you cannot change the audiences’ minds who have already watched the original brand. So when they hit the theater’s space, they carry along the flashes of those characters along. Result: the comparisons happen! Thus it becomes the stars’ responsibility to satisfy the viewers and help them forget the comparisons with their extra dose of well-delivered performance.

Karam Johar’s Agneepath is the remake of the 90s hit with the same titled in which Amitabh Bachchan had played the main character of Vijay Dinanath Chauhan. The film brought National Award for Mr. Bachchan in return to his classy performance in the movie. The film was produced by Karan’s father Yash Johar. Twenty two years later, the son took the command to remake father’s hit with the debutante director Karan Malhotra, who makes the current Agneepath as per the taste of the today’s audience to dish out to the viewers to get entertained with. Malhotra puts new additions to the script to make it slightly different from the original like he introduced the new negative character of Rauf Lala (Rishi Kapoor). But the main plot is same – the revenge saga.

Debutante Karan’s execution further makes the product contemporary for the audiences who view it as if they are watching a new flick. That’s the beauty and the skill of the director. Hrithik Roshan slips into the strapping character of Vijay Dinanath Chauhan played by the legendary Amitabh Bachchan twenty two years back. The all time favorite dialogue ‘Naam Vijay Chauhan…Baap Ka Naam Dinanath Chauhan’ is the one that had made the flick to super heights in 90s and the same dialogue is going to do something super lucrative for Karan Johar’s product.

Karan Malhotra’s Agneepath has all – action, vengeance, drama, emotions and entertainment. You are rest assured to enjoy the ride with one package that is what the first time director confers his viewers with. Karan shows his class on the celluloid. Since the director knew that the viewers would make the comparisons, he gave the fresh touch to each character in style and other things. He proves that he is a great storyteller. From his job of direction, it cannot be figured out that he is a debutante in the field.

Agneepath talks about a tiny village called Mandwa where the principled father Dinnaanth (Chetan Pandit) teaches his son Vijay Dinnanath Chauhan (Hrithik Roshan) all about the fire (Agneepath). The happy life of the Dinnanath family gets ruined and Vijay is smashed when the drug dealer of the area Kancha (Sanjay Dutt) murders Vijay’s father. His mother (Zarina Wahab) is pregnant. Vijay and his mother leave the place and arrives in Mumbai where he bumps into the gang lord Rauf Lala (Rishi Kapoor). Rauf becomes the Godfather of the little Vijay Chauhan. Here starts his journey of revenge, which he has in his heart for Kancha, and in the process he gets the supporting hand of his love interest Kali (Priyanka Chopra). Vijay moors the belts to head to Mandwa fifteen years later to seek vengeance.

Agneepath’s power lies in the mastery skill of the director and the script writers they do not let the film loss its flavor. There is hardly any moment where the movie falls flat or runs short of content. The sequences between Vijay and Kancha are what simply capture the whole attention of the viewers. The drama in the movie, where many first time directors even the established directors shake, is well handled by Karan Malhotra.

Karan Malhotra has done his job with finesse and class. He surely has a good scope in the days to come and many big budgeted films will wait him for sure. Even Karan Johar will certainly offer him many projects to do. The action sequences by Abbas Ali Mogul need and deserve special applauds. The viewers who love action movies will find this product superb to satisfy their thirst. The audiences simply enjoy every sequence and every scene was entertained with big noise. The action sequence in the finale loots the viewers’ hearts.

Ajay-Atul’s music is splendid though there is hardly any song which turned chartbuster except Chikni Chameli but they all are listenable and mellifluous. Chikini Chameli, which is picturised on Katrina Kaif, has been doing supremely on all channels. The item song has surely added many sparkles to film’s worth. Katrina looks damn sexy and gorgeous in the song. It was created for the movie’s hype and it did wonders. The background score has also been done by the duo Ajay-Atul and it is superb. Screenplay by Ila Bedi Datta and Karan Malhotra is a masterpiece carries no flaws at all. Dialogues by Piyush Mishra are splendid. Cinematography done by Kiran Deohans and Ravi K. Chandran is a class in itself.

Hrithik Roshan has done wonderful job with the iconic character of Vijay Dinnanath Chauhan with such brilliance that the viewer claps with praise. He does full justice to Amitabh’s character. Sanjay Dutt as Kancha is magnificent. His negative role surpasses his previous negative roles he did in Khal Nayak and Vaastav. He allures the hearts and souls. Hrithik Roshan and Sanjay Dutt will surely be nominated for Best Actor and Best Villain’s categories in the awards functions to come. And Karan Johar’s movie too will find its space in the nomination of Best Movie. Rishi Kapoor impresses with his role. He has done the role, which he has never attempted in his career. Priyanka Chopra is great to watch. Zarina Wahab is good. Rest of the cast too is brilliant.

Final Verdict by the Critic:

Agneepath is sure to be a big hit. The film will witness bigger collections at the box office with magnificent direction, powerful script and brilliant performances. A MUST WATCH!

Saturday, March 20, 2010

Love Sex Aur Dhokha - Movie Review

BREAKING NEWS. Bollywood has been hit by a hurricane that might shake its foundations and mark the beginning of the end of the Hindi films as we know them. The unapologetic culprit and the man behind all the would-be demolition is director Dibakar Banerjee, the fearless iconoclast cocking a snook at Bollywood corn and in the same swipe laying down the blueprint of the brave new Hindi cinema of the future with his mind-blowing, voyeuristic, pulpy, three-part portmanteau flick Love Sex Aur Dhokha. Bollywood films have never been this trippy, this awesome, this brutally real, and yet - I dare say - this entertaining before. Hats, caps, wigs and everything off to you, Dibakar.

Beginning with no less than a tongue-in-cheek spoof of the longest running Hindi film, Dilwale Dulhaniya Le Jayenge, Banerjee paints a moving love story between a filmmaking student (Anshuman Jha) and the rich heroine (Shruti) of his diploma film titled ‘Mehendi Laga Ke Rakhna’. Like ‘DDLJ’ there’s parental opposition here too. But in the real world not every Raj gets his Simran.

The second story, captured through CCTV cameras, is set in a departmental store where a male employee (Raj Kumar Yadav) wants to make a sex clip with a female colleague (Neha Chauhan) and sell it to repay his debts. But the trouble is that between sex and dhoka, love interferes.

The third story, shot on spycams, is about a journalist (Amit Sial) who wants to end his life but bumps into a suicidal (Arya Devdutta) a wannabe item girl who’s been betrayed by a rap singer (Herry Tangri) after warming his couch for a break in a music video.

All the three stories intersect at different points and every intersection is captured from a different perspective in each tale. It’s a screenplay (by Dibakar and Kanu Behl) of sheer brilliance. And mind you, every one of the three stories has an element each of love, sex and dhoka. But of all, love, it must be said, stands out most poignantly. There’s tragic love, jealous love and restrained love. There’s conjugal sex, scandalous sex and quid-pro-quo sex. Likewise there’s dhokha from the most murderous to the most deserving kind. ‘LSD’ packs it all with a smattering of some addictive tunes from composer Sneha Khanwalkar in 1-hour-38-minutes of its running time.

The ensemble cast in the movie is near perfect. There’s hardly any hint of acting in any performance, and a part of the credit should be given to the script that’s penned with lines straight out of life. But the actors that leave an impression are Anshuman Jha, Raj Kumar Yadav, Neha Chauhan and Arya Devdutta. Since camera is almost a ubiquitous character in LSD, kudos to cinematographer Nikos Andritsakis for his shaky, hand-held, jerky, raw, in-your-face, and at timed out-of-focus camerawork.

Director Dibakar Banerjee kicks opens a new door to the way stories are told on celluloid in India. And yet he never lets the content dilute in the tangle of the form. Subtle ironies run through the plot. Note how in the first story the buoyant proclamation of the girl’s authoritarian father “Go! Live your life” to his daughter and her lover stands in sharp contrast to the way the love story ends. LSD has many more such gems that call for reviewing for better appreciation.
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